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Micallef Grimaud, A.. and Eerola, T. (2021) 'EmoteControl: an interactive system for real-time control of emotional expression in music.', Personal and ubiquitous computing., 25 (4). pp. 677-689.

Eerola, T. and Peltola, H.-R. (2016) 'Memorable experiences with sad music-reasons, reactions and mechanisms of three types of experiences.', PLoS ONE., 11 (6). e0157444.

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Armitage, James and Eerola, Tuomas (2022) 'Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?', Auditory Perception & Cognition, 5 . pp. 192-210.

Athanasopoulos, George and Eerola, Tuomas and Lahdelma, Imre and Kaliakatsos-Papakostas, Maximos (2021) 'Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music.', PLoS ONE., 16 (1).

Armitage, James and Lahdelma, Imre and Eerola, Tuomas (2021) 'Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners.', Journal of the Acoustical Society of America., 150 (1). p. 551.

Armitage, James and Eerola, Tuomas (2020) 'Reaction time data in music cognition : comparison of pilot data from lab, crowdsourced, and convenience web samples.', Frontiers in psychology., 10 . p. 2883.

Akkermans, Jessica and Schapiro, Renee and Müllensiefen, Daniel and Jakubowski, Kelly and Shanahan, Daniel and Baker, David and Busch, Veronika and Lothwesen, Kai and Elvers, Paul and Fischinger, Timo and Schlemmer, Kathrin and Frieler, Klaus (2019) 'Decoding emotions in expressive music performances : a multi-lab replication and extension study.', Cognition and emotion., 33 (6). 1099-1118 .

Alborno, Paolo and Clayton, Martin and Keller, Peter and Volpe, Gualtiero and Camurri, Antonio (2015) 'Automated video analysis of interpersonal entrainment in Indian music performance.', EAI endorsed transactions on future intelligent educational environments., 15 (4). e3.

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Bannister, Scott and Eerola, Tuomas (2023) 'Vigilance and social chills with music: Evidence for two types of musical chills.', Psychology of Aesthetics, Creativity, and the Arts, 17 (2). pp. 242-258.

Barnes, Molly (2022) 'The Other Otto Dresel: Public and Private Musical Identities in a German-American ‘Forty-Eighter’ and his Family, c1860–1880.', Nineteenth-Century Music Review, 19 (3). pp. 481-513.

Bhattacharyya, Budhaditya (2022) 'The Changing Ecology of the Kolkata Tanpura.', South Asia: Journal of South Asian Studies, 45 (6). 1095-1111 .

Bryant Davies, Rachel and Johnson-Williams, Erin (2022) 'Introduction: Encountering the Intersectional Archive.', in Intersectional Encounters in the Nineteenth-Century Archive: New Essays on Power and Discourse. London: Bloomsbury Academic, pp. 1-30. New Directions in Social and Cultural History.

Bannister, Scott (2020) 'A survey into the experience of musically induced chills : emotions, situations and music.', Psychology of music., 48 (2). pp. 297-314.

Bannister, Scott (2019) 'Distinct varieties of aesthetic chills in response to multimedia.', PLoS ONE., 14 (11). e0224974.

Becker, Susanne and Bräscher, Anne-Kathrin and Bannister, Scott and Bensafi, Moustafa and Calma-Birling, Destany and Chan, Raymond C.K. and Eerola, Tuomas and Ellingsen, Dan-Mikael and Ferdenzi, Camille and Hanson, Jamie L. and Joffily, Mateus and Lidhar, Navdeep K. and Lowe, Leroy J. and Martin, Loren J. and Musser, Erica D. and Noll-Hussong, Michael and Olino, Thomas M. and Pintos Lobo, Rosario and Wang, Yi (2019) 'The role of hedonics in the Human Affectome.', Neuroscience & biobehavioral reviews., 102 . pp. 221-241.

Bannister, S. C. and Eerola, T. (2018) 'Suppressing the chills : effects of musical manipulation on the chills response.', Frontiers in psychology., 9 . p. 2046.

Bonneville-Roussy, A. and Eerola, T. (2018) 'Age trends in musical preferences in adulthood : 3. Perceived musical attributes as intrinsic determinants of preferences.', Musicae scientiae., 22 (3). pp. 394-414.

Burt, T. P. and Evans, H. M. (2016) 'Building characters, sharpening minds : the values and virtues of the collegiate way.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, pp. 75-92. Contexts of education. (6).

Burt, T. P. and Evans, H. M. (2016) 'Epilogue.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, pp. 161-165. Contexts of education. (6).

Brattico, E. and Bogert, B. and Alluri, V. and Tervaniemi, M. and Eerola, T. and Jacobsen, T. (2016) 'It’s sad but I like it : the neural dissociation between musical emotions and liking in experts and laypersons.', Frontiers in human neuroscience., 9 . p. 676.

Barker, Thomas P. (2015) 'Spatial dialectics : intimations of freedom in antebellum slave song.', Journal of black studies., 46 (4). pp. 363-383.

Buttigieg, Lydia (2013) 'Carmelo Pace (1906-1993) : homage to the first modernist Maltese composer of the 20th century.', The Malta Independent on Sunday. .

Buttigieg, Lydia (2013) 'Maestro Carmelo Pace (1906 - 1993) : a prolific twentieth-century composer, musician and music educator.', The educator., 1 . pp. 47-74.

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Cattien, Jana and Stopford, Richard (2022) 'Eerie.', Angelaki, 27 (5).

Cattien, Jana and Stopford, Richard John (2022) 'The appropriating subject: Cultural appreciation, property and entitlement.', Philosophy & Social Criticism .

Collins, Nick (2022) 'OK Computer Analysis: An Audio Corpus Study of Radiohead.', Project Report. UNSPECIFIED.

Clayton, Martin and Tarsitani, Simone and Jankowsky, Richard and Jure, Luis and Leante, Laura and Polak, Rainer and Poole, Adrian and Rocamora, Martín and Alborno, Paolo and Camurri, Antonio and Eerola, Tuomas and Jacoby, Nori and Jakubowski, Kelly (2021) 'The Interpersonal Entrainment in Music Performance Data Collection.', Empirical Musicology Review, 16 (1). pp. 65-84.

Clayton, Martin and Jakubowski, Kelly and Eerola, Tuomas and Keller, Peter E. and Camurri, Antonio and Volpe, Gualtiero and Alborno, Paolo (2020) 'Interpersonal entrainment in music performance : theory, method and model.', Music perception : an interdisciplinary journal., 38 (2). pp. 136-194.

Clayton, Martin (2020) 'Empirical methods in the study of music performance : an interdisciplinary history.', in Investigating musical performance : theoretical models and intersection. London: Routledge, pp. 9-24. Musical cultures of the twentieth century.

Clayton, Martin (2020) 'Theory and practice of long-form non-isochronous meters : The case of the North Indian rūpak tāl.', Music theory online., 26 (1). p. 2.

Clayton, Martin (2020) 'Entrainment and the social origins of musical rhythm.', in The philosophy of rhythm : aesthetics, music, poetics. Oxford: Oxford University Press.

Collins, Nick (2020) 'Composition in the age of AI.', Ideas Sónicas. .

Clayton, Martin and Jakubowski, Kelly and Eerola, Tuomas (2019) 'Interpersonal entrainment in Indian instrumental music performance : synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure.', Musicae scientiae., 23 (3). pp. 304-331.

Collins, Nick and Knotts, Shelly (2019) 'A javascript musical machine listening library.', in Proceedings of the 2019 International Computer Music Conference. San Francisco: The International Computer Music Association, pp. 383-387.

Collins, Nick (2019) 'Sonification of the Riemann Zeta function.', in Proceedings of the 25th International Conference on Auditory Display (ICAD 2019). , pp. 36-41.

Collins, Nick (2018) ''…there is no reason why it should ever stop' : large-scale algorithmic composition.', Journal of creative music systems., 3 (1).

Collins, Nick and Manning, Peter and Tarsitani, Simone (2018) 'A new curated corpus of historical electronic music : Collation, data and research findings.', Transactions of the International Society for Music Information Retrieval., 1 (1). pp. 34-55.

Cespedes-Guevara, J. and Eerola, T. (2018) 'Music communicates affects, not basic emotions – a constructionist account of attribution of emotional meanings to music.', Frontiers in psychology., 9 . p. 215.

Collins, N. (2017) 'Corposing a history of electronic music.', Leonardo music journal., 27 . pp. 47-48.

Clayton, Martin (2017) 'The ethnography of embodied music interaction.', in The Routledge companion to embodied music interaction. . Routledge companions.

Collins, Nick (2016) 'Towards machine musicians who have listened to more music than us : audio database-led algorithmic criticism for automatic composition and live concert systems.', Computers in entertainment., 14 (3). p. 2.

Collins, Nick (2016) 'A funny thing happened on the way to the formula : algorithmic composition for musical theatre.', Computer music journal., 40 (3). pp. 41-57.

Collins, Nick (2016) 'Live coding and teaching SuperCollider.', Journal of music, technology and education., 9 (1). pp. 5-16.

Clayton, Martin (2016) 'Aksak patterns and entrained interaction in Transylvanian village music.', Empirical musicology review., 10 (4). pp. 292-301.

Clayton, Martin and Leante, Laura (2015) 'Role, status and hierarchy in the performance of North Indian classical music.', Ethnomusicology forum., 24 (3). pp. 414-442.

Collins, Nick (2015) 'The Ubuweb electronic music corpus : an MIR investigation of a historical database.', Organised sound., 20 (1). pp. 122-134.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2014) 'From technological investigation and software emulation to music analysis : an integrated approach to Barry Truax's Riverrun.', Proceedings of the 2014 international computer music conference. Music technology meets philosophy : from digital echos to virtual ethos, 14-20 September, Athens, Greece., 2014 . pp. 201-208.

Clayton, Martin and Leante, Laura (2013) 'Embodiment in music performance.', in Experience and meaning in music performance. , pp. 188-207.

Clayton, M. (2013) 'The time of music and the time of history.', Working Paper. Durham Research Online (DRO), Durham.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'Introducing TaCEM and the TIAALS software.', in Proceedings of the 2013 international computer music conference. International developments in electroacoustics, 2013 ICMC IDEA, 11-17 August, Perth, Australia. San Francisco: International Computer Music Association, pp. 47-53. International computer music conference proceedings., 2013

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'TIAALS : a new generic set of tools for the interactive aural analysis of electroacoustic music.', Electroacoustic music in the context of interactive approaches and networks, EMS 2013, 17-21 June, Lisbon, Portugal ; proceedings. .

Clinch, J. D. (2013) 'Herbert Howells's organ works? Critical reception, performance practice and the case for reappraisal.', BIOS journal / British Institute of Organ Studies and English Organ Archive., 37 . pp. 127-138.

Clayton, Martin (2012) 'What is entrainment? Definition and applications in musical research.', Empirical musicology review., 7 (1-2). pp. 49-56.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2012) 'The Cultural Study of Music: A Critical Introduction (Second Edition).', London: Routledge.

Clinch, J.D. (2011) ''Beauty springeth out of naught' : interpreting the church music of Herbert Howells.', British postgraduate musicology., 11 .

Cox, Gareth (2010) 'Seóirse Bodley.', Dublin: Field Day Publications ; Keough-Naughton Institute for Irish Studies. Field Day Music.

Clayton, Martin (2009) 'Crossing boundaries and bridging gaps : thoughts on relationships between ethnomusicology and music psychology.', Empirical musicology review., 4 (2). pp. 75-77.

Clayton, Martin (2009) 'Local practice, global network : the guitar in India as a case study.', in Theorizing the local : music, practice and experience in South Asia and beyond. New York: Oxford University Press , pp. 65-78.

Clayton, Martin (2009) 'The social and personal functions of music in cross-cultural perspective.', in The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 35-44.

Clayton, Martin (2008) 'Toward an ethnomusicology of sound experience.', in The new (ethno)musicologies. Lanham, Maryland: Scarecrow Press , pp. 135-169. Europea: ethnomusicologies and modernities. (8).

Clayton, Martin (2008) 'Music, words, and voice : a reader.', Manchester: Manchester University Press.

Clayton, Martin and Zon, Bennett (2007) 'Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East.', Aldershot: Ashgate. Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking.', Musicae scientiae., 11 (1). pp. 27-59.

Clayton, Martin (2007) 'Music, time and place : essays in comparative musicology.', Delhi: B.R.Rhythms.

Clayton, Martin (2007) 'Musical renaissance and its margins in England and India, 1874–1914.', in Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. Aldershot: Ashgate, 71-93 . Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Time, gesture and attention in a Khyal performance.', Asian music., 38 (2). pp. 71-96.

Clayton, Martin (2005) 'Communication in Indian raga performance.', in Musical communication. Oxford: Oxford University Press, pp. 361-381.

Clayton, Martin and Sager, Rebecca and Will, Udo (2005) 'In time with the music : the concept of entrainment and its significance for ethnomusicology.', European meetings in ethnomusicology., 11 (ESEM Counterpoint 1) . pp. 1-82.

Clayton, Martin (2003) 'Comparing music, comparing musicology.', in The cultural study of music : a critical introduction. New York: Routledge, pp. 57-68.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2003) 'The cultural study of music : a critical introduction.', New York: Routledge.

Clayton, Martin (2002) 'Teaching Indian music at a distance : a perspective from the UK.', Journal of the Indian Musicological Society., 33 . pp. 36-41.

Clayton, Martin (2001) 'Rock to Raga : the many lives of the Indian guitar.', in Guitar cultures. Oxford, UK: Berg , pp. 179-208.

Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.

Clayton, Martin (2000) 'Time in Indian music : rhythm, metre and form in North Indian rag performance.', Oxford: Oxford University Press.

Clayton, Martin (1998) ''You can't fuse yourself' : contemporary British-Asian music and the musical expression of identity.', East European meetings in ethnomusicology., 5 . pp. 73-87.

Clayton, Martin (1997) 'Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).', Cahiers de musiques traditionelles., 10 . pp. 169-189.

Clayton, Martin (1996) 'Free rhythm : ethnomusicology and the study of music without metre.', Bulletin of the School of Oriental and African Studies., 59 (2). pp. 323-332.

Clayton, Martin (1996) 'Ethnographic wax cylinders at the British Library National Sound Archive : a brief history and description of the collection.', British journal of ethnomusicology., 5 (1). pp. 67-92.

Clayton, Martin (1993) 'Two gat forms for the sitār : a case study in the rhythmic analysis of North Indian music.', British journal of ethnomusicology., 2 (1). pp. 75-98.

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Deil, Juliane and Markert, Nina and Normand, Philip and Kammen, Philipp and Küssner, Mats B. and Taruffi, Liila (2022) 'Mind-wandering during contemporary live music: An exploratory study.', Musicae Scientiae .

Dibble, J. C. (2016) 'Context, form and style in Sterndale Bennett's piano concertos.', Nineteenth-century music review., 13 (2). pp. 195-219.

Dibble, Jeremy (2016) 'Hamilton Harty's Ode to a Nightingale : a confluence of Wagner and Elgar.', Journal of the Society of Musicology in Ireland., 11 (2015-16). pp. 57-81.

Dibble, Jeremy (2015) 'War, impression, sound, and memory : British music and the First World War.', German Historical Institute London bulletin., 37 (1). pp. 43-56.

Dickson, Ian (2012) 'Towards a grammatical analysis of Scelsi's late music.', Music analysis., 31 (2).

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Dahl, Sofia and Bevilacqua, Frederic and Bresin, Roberto and Clayton, Martin and Leante, Laura and Poggi, Isabella and Rasamimanana, Nicolas (2009) 'Gestures in performance.', in Musical gestures : sound, movement, and meaning. London: Routledge, pp. 36-68.

Dickson, Ian (2009) 'Orality and rhetoric in Scelsi's music.', Twentieth-century music., 6 (01). pp. 23-41.

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Dibble, J. C. (2007) 'John Stainer: A Life in Music.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

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Eerola, T. and Lahdelma, I. (2022) 'Register Impacts Perceptual Consonance through Roughness and Sharpness.', Psychonomic Bulletin and Review, 29 (3). pp. 800-808.

Eerola, T. and Vuoskoski, J. K. and Kautiainen, H. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2021) 'Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners.', Annals of the New York Academy of Sciences, 1502 (1). pp. 121-131.

Eerola, T. and Lahdelma, I. (2021) 'The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords.', Music & Science, 4 .

Eerola, T. and Armitage, J. and Lavan, N. and Knight, S. (2021) 'Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations.', Auditory Perception & Cognition, 4 (3-4). pp. 251-280.

Eerola, T. and Vuoskoski, J. K. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2018) 'Towards a more explicit account of the transformation : reply to comments on “An integrative review of the enjoyment of sadness associated with music”.', Physics of life reviews., 25 . pp. 156-166.

Evans, H. M. (2018) 'Music in body and imagination.', in The Oxford handbook of music and the body. Oxford: Oxford University Press. Oxford handbooks online.

Eerola, T. (2018) 'Music and emotion.', in Springer handbook of systematic musicology. Berlin, Heidelberg: Springer, pp. 539-554. Springer handbooks.

Eerola, T. and Jakubowski, K. and Moran, N. and Keller, P. and Clayton, M. (2018) 'Shared periodic performer movements coordinate interactions in duo improvisations.', Royal Society open science., 5 (2). p. 171520.

Eerola, T. and Vuoskoski, J. K. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2017) 'An integrative review of the enjoyment of sadness associated with music.', Physics of life reviews., 25 . pp. 100-121.

Eerola, T. and Pearce, M. T. (2017) 'Modelling historical audiences : what can be inferred?', Journal of interdisciplinary music studies., 8 (1-2). pp. 132-140.

Eerola, T. and Vuoskoski, J. K. and Kautiainen, H. (2016) 'Being moved by unfamiliar sad music is associated with high empathy.', Frontiers in psychology., 7 . p. 1176.

Evans, H. M. and Burt, T. P. (2016) 'Introduction.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, xi-xvi. Contexts of education. (6).

Eerola, T. (2016) 'Expectancy-violation and information-theoretic models of melodic complexity.', Empirical musicology review., 11 (1). pp. 2-17.

Evans, H. M. (2016) 'Medical humanities and the place of wonder.', in The Edinburgh companion to the critical medical humanities. Edinburgh: Edinburgh University Press, pp. 339-355. Edinburgh companions.

Evans, H. M. (2016) 'Medicine, the body and an invitation to wonder.', Medical humanities., 42 (2). pp. 97-102.

Eerola, T. and Peltola, H.-R. and Vuoskoski, J. K. (2015) 'Attitudes toward sad music are related to both preferential and contextual strategies.', Psychomusicology : music, mind, and brain., 25 (2). pp. 116-123.

Evans, H. M. (2015) 'Wonder and the patient.', Journal of medical humanities., 36 (1). pp. 47-58.

Eerola, T. (2014) 'Complexity.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 227-229.

Eerola, T. (2014) 'Database studies.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 316-319.

Eerola, T. (2014) 'Melody processing.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 684-687.

Eerola, T. (2014) 'Similarity, melodic.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 1003-1006.

Eerola, T. (2014) 'Modelling emotions in music : advances in conceptual, contextual and validity issues.', in Audio Engineering Society conference : 53rd AES International Conference : semantic audio, 27-29 January 2014, London, UK ; proceedings. , S1-1.

Eerola, T. (2013) 'Modelling emotional effects of music : key areas of improvement.', in Proceedings of SMC 2013 : 10th Sound and Music Computing Conference, July 30 - August 2, 2013, KTH Royal Institute of Technology, Stockholm, Sweden. Berlin: Logos Verlag Berlin, pp. 269-276.

Eerola, T. and Friberg, A. and Bresin, R. (2013) 'Emotional expression in music : contribution, linearity, and additivity of primary musical cues.', Frontiers in psychology., 4 . p. 487.

Evans, M. (2013) 'Open futures, human finitude.', in Medical humanities companion : prognosis. London: Radcliffe Publishing, pp. 105-120.

Evans, M. (2013) 'Wonderful treatment.', in Medical humanities companion : treatment. London: Radcliffe Publishing, pp. 17-32.

F

Fuentes-Sánchez, Nieves and Pastor, Raúl and Eerola, Tuomas and Escrig, Miguel A. and Pastor, M. Carmen (2022) 'Musical preference but not familiarity influences subjective ratings and psychophysiological correlates of music-induced emotions.', Personality and Individual Differences, 198 . p. 111828.

Fuentes-Sánchez, Nieves and Pastor, Raúl and Eerola, Tuomas and Pastor, M. Carmen (2021) 'Spanish adaptation of a film music stimulus set (FMSS) : cultural and gender differences in the perception of emotions prompted by music excerpts.', Psychology of music., 49 (5). pp. 1242-1260.

Fuentes-Sánchez, N. and Pastor, M. C. and Eerola, T. and Pastor, R. (2021) 'Individual differences in music reward sensitivity influence the perception of emotions represented by music.', Musicae Scientiae .

Farrugia, N. and Jakubowski, Kelly and Cusack, R. and Stewart, L. (2015) 'Tunes stuck in your brain : the frequency and affective evaluation of involuntary musical imagery correlate with cortical structure.', Consciousness and cognition., 35 . pp. 66-77.

Ferrer, R. and Eerola, T. (2011) 'Semantic structures of timbre emerging from social and acoustic descriptions of music.', EURASIP journal on audio, speech, and music processing., 2011 . p. 11.

Fatone, Gina A. and Clayton, Martin and Leante, Laura and Rahaim, Matt (2011) 'Imagery, melody and gesture in cross-cultural perspective.', in New perspectives on music and gesture. Farnham, Surrey: Ashgate, pp. 203-220. SEMPRE studies in the psychology of music.

Fitch, F. J. and Heyde, N. (2007) ''"Recercar" : the collaborative process as invention.', Twentieth-century music., 4 (1). pp. 71-95.

Fitch, F. J. (2006) 'Agricologies.', Fretwork, South Bank Centre, London.

Fitch, F J. (2006) 'Agricola and the rhizome II : contrapuntal ramifications.', Trossinger Jahrbuch fur Renaissancemusik., 6 . pp. 19-58.

Fitch, F. J. (2005) 'Agricola and the rhizome : an aesthetic of the late Cantus-Firmus mass.', Revue Belge de musicologie., 59 . pp. 65-92.

Fitch, F. J. (2003) 'Agricola versus Alamire : the lie of the sources.', in The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven. Leuven, Neerpelt: Alamire, pp. 299-308.

Fitch, F. J. (2001) 'Restoring Ockeghem's Mort, tu as navre.', Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis., LI (1). pp. 3-24.

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Gómez, J. and Cano, C. and Eerola, T. and Gomez, E. and Herrera, P. and Yang, Y. and Hu, X. and Yang, Y. (2021) 'Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications.', IEEE Signal Processing Magazine, 38 (6). pp. 106-114.

Glatthorn, Austin (2021) 'Staging Imperial Identity: Music Theatre, the Holy Roman Empire, and the French Revolutionary Wars.', Journal of War & Culture Studies, 14 (2). pp. 157-174.

Garrido, S. and Eerola, T. and McFerran, K. (2017) 'Group rumination : social interactions around music in people with depression.', Frontiers in psychology., 8 . p. 490.

H

Hamilton, Andy (2023) 'Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment.', The British Journal of Aesthetics, 63 (1). pp. 41-56.

Hsieh, Amanda (2022) 'Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria.', Music and Letters, 103 (4). pp. 685-707.

Hsieh, Amanda (2022) 'The Mask of Bourgeois Masculinity and Franz Schreker's Die Gezeichneten.', Cambridge opera journal., 34 (3). pp. 338-363.

Hamilton, Andy (2022) 'On Certainty on the Foundations of History as a Discipline.', Topoi, 41 (5). pp. 979-985.

Horlor, Samuel (2022) 'Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness.', Popular Music and Society, 45 (5). pp. 584-599.

Horton, Julian (2021) 'Beethoven's Error? The Modulating Ritornello and the Type-5 Sonata in the Post-Classical Piano Concerto.', Music Analysis, 40 (3). pp. 353-412.

Horlor, Samuel (2021) 'Chinese Street Music: Complicating Musical Community.', Cambridge: Cambridge University Press. Elements in Twenty-First Century Music Practice.

Hambridge, Katherine (2021) 'Music, Romanticism and Politics.', in The Cambridge Companion to Music and Romanticism. Cambridge: Cambridge University Press, pp. 92-109. Cambridge Companions to Music.

Herff, S. A. and Cecchetti, G. and Taruffi, L. and Déguernel, K. (2021) 'Music influences vividness and content of imagined journeys in a directed visual imagery task.', Scientific reports., 11 (1). p. 15990.

Horlor, Samuel (2021) 'A social aesthetics of imperfection: spontaneity and meaning in pop on the streets of China.', in The aesthetics of imperfection in music and the arts : spontaneity, flaws and the unfinished. London: Bloomsbury Academic, pp. 73-85.

Horton, Julian (2021) 'Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine.', Music theory spectrum., 43 (2). pp. 299-319.

Hambridge, Katherine (2020) ''(Cross-)Gendering the German Voice'.', in Beethoven Studies 4. Cambridge: Cambridge University Press, pp. 121-143. Cambridge Composer Studies.

Hambridge, Katherine (2020) ''Catching Up and Getting Ahead: The Opera House as Temple of Art in Berlin c. 1800'.', in The Oxford Handbook of the Operatic Canon. Oxford: Oxford University Press. Oxford Handbooks.

Horton, Julian (2020) 'Syntax and process in the first movement of Mendelssohn’s Piano Trio, Op. 66.', in Rethinking Mendelssohn. Oxford: Oxford University Press.

Hamilton, Andy (2020) 'The aesthetics of imperfection re-conceived : improvisations, compositions and mistakes.', Journal of aesthetics and art criticism., 78 (3). pp. 289-302.

Horlor, Samuel (2020) 'Chinese street pop and performing with the urban environment.', Sound ethnographies., 2 (1). pp. 39-68.

Horlor, Samuel (2020) 'The sounds of social space : branding, built environment, and leisure in urban China.', Ethnomusicology forum., 29 (1). pp. 136-139.

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Mills, Simon R.S. (2012) 'Sounds to soothe the soul : music and bereavement in a traditional South Korean death ritual.', Mortality : promoting the interdisciplinary study of death and dying., 17 (2). pp. 145-157.

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Wishart, T. (2002) 'Imago.', UNSPECIFIED, Festsaal der Hochschule fur Musik, Weimar, 6 June 2002; Redcat Theatre Downtown, Los Angeles, 2004; Musica Viva Festival, Lisbon, 2005; CCRMA, Stanford, California, 2006; Recombinant Media, San Francisco, 2006.

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Zon, Bennett (2021) 'Music theology as the mouthpiece of science : proving it through congregational music studies.', in Studying congregational music : key issues, methods, and theoretical perspectives. .

Zon, Bennett (2020) 'Science and religion.', in The Oxford handbook of music and intellectual culture in the nineteenth century,. Oxford: Oxford University Press.

Zon, Bennett (2020) 'Liberalism and Victorian musical sympathy.', in Music and Victorian Liberalism. Cambridge: Cambridge University Press, pp. 180-200.

Zon, Bennett (2019) 'All arts aspire to the condition of musicology : Victorian musicology as interdiscipline.', in Victorian culture and the origin of disciplines. , pp. 283-307. The nineteenth-century.

Zuk, Patrick (2019) 'Boris Asaf'yev in 1948.', Journal of the Royal Musical Association., 144 (1). pp. 123-156.

Zuk, Patrick (2018) 'L'ami inconnu : Nataliya Esposito and Ivan Bunin.', in Music preferred : essays in musicology, cultural history and analysis in honour of Harry White. Vienna: Hollitzer Verlag, pp. 371-387.

Zuk, Patrick (2018) 'Music as post-traumatic discourse : Nikolay Myaskovsky’s Sixth Symphony.', Arts and humanities in higher education., 17 (1). pp. 104-118.

Zon, Bennett (2017) 'Evolution.', in The Edinburgh critical history of nineteenth-century Christian theology. Edinburgh: Edinburgh University Press. Edinburgh critical history of theology.

Zon, Bennett (2017) 'Music.', in Oxford handbook of nineteenth-century Christian thought. Corby: Oxford University Press, pp. 459-470. Oxford handbooks in religion and theology.

Zon, Bennett (2017) 'Spencer, sympathy and the Oxford School of Music Criticism.', in British musical criticism and intellectual thought, 1850-1950. Woodbridge, Suffolk, UK: Boydell & Brewer. Music in Britain, 1600-2000.

Zon, Bennett (2016) 'Anthropology, theology, and the simplicity of Benedict XVI's Chant.', Logos: a journal of Catholic thought and culture., 19 (1). pp. 15-40.

Zon, Bennett (2014) 'Science, theology and the simplicity of chant : Victorian musicology at war.', Journal of the history of ideas., 75 (3). pp. 439-469.

Zuk, Patrick (2014) 'Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment.', Journal of musicology., 31 (3). pp. 354-393.

Zon, Bennett (2014) 'The ‘non-Darwinian’ revolution and the great chain of musical being.', in Evolution and Victorian culture. Cambridge: Cambridge University Press, pp. 196-226. Cambridge studies in nineteenth-century literature and culture.

Zon, Bennett (2013) 'The music of non-Western nations and the evolution of British ethnomusicology.', in Cambridge history of world music. , pp. 298-318.

Zuk, Patrick (2013) 'The 'serial' works of A. J. Potter.', Working Paper. Durham Research Online (DRO), Durham.

Zuk, Patrick (2013) 'Nikolay Myaskovsky and the 'Regimentation' of Soviet composition : towards a reassessment.', Working Paper. Durham Research Online (DRO), Durham.

Zon, Bennett (2013) 'Nineteenth-century Britain and musical representations of Asia.', Comparative studies on regional powers., 13 . pp. 47-57.

Zuk, Patrick (2010) 'Translating national identity into music : representations of 'Traditional Ireland' in A. J. Potter's television opera Patrick.', Études irlandaises., 35 (2). pp. 81-97.

Zon, B. (2009) ''Loathsome London' : Ruskin, Morris, and Henry Davey's History of English Music (1895).', Victorian literature and culture., 37 (2). pp. 359-375.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Zon, B. M. (2006) 'From ‘very acute and plausible’ to ‘curiously misinterpreted’: Sir William Jones’s ‘On the Musical Modes of the Hindus’ (1792) and its reception in later musical treatises.', in Romantic orientalism. London: Routledge, pp. 197-219.

Zuk, P. (2006) 'Raymond Deane.', Dublin: Field Day Books. Field Day music., 2

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Zuk, P. (2005) ''Our songs are our laws' : music and the Republic (Part 2).', The Republic : a journal of contemporary and historical debate., 4 . pp. 116-132.

Zuk, P. (2005) 'The composer and the problem of modern choral music.', in Cork International Choral Festival, 1954-2004 : a celebration. Cork: Glen House Press, pp. 320-329.

Zuk, P. (2004) 'Words for music perhaps ? Irishness, criticism and the art tradition.', Irish studies review., 12 (1). pp. 11-29.

Zuk, P. (2003) ''Our songs are our laws' : music and the Republic (part 1).', The Republic : a journal of contemporary and historical debate., 3 . pp. 113-131.

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

List was generated at Thu Nov 28 12:45:14 2024 GMT.