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Johnson-Williams, Erin (2023) '‘The Concertina's Deadly Work in the Trenches’: Soundscapes of Suffering in the South African War.', Nineteenth-Century Music Review, 20 (1). pp. 119-151.

Hamilton, Andy (2023) 'Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment.', The British Journal of Aesthetics, 63 (1). pp. 41-56.

Bannister, Scott and Eerola, Tuomas (2023) 'Vigilance and social chills with music: Evidence for two types of musical chills.', Psychology of Aesthetics, Creativity, and the Arts, 17 (2). pp. 242-258.

Jakubowski, Kelly and Belfi, Amy M. and Kvavilashvili, Lia and Ely, Abbigail and Gill, Mark and Herbert, Gemma (2023) 'Comparing music‐ and food‐evoked autobiographical memories in young and older adults: A diary study.', British Journal of Psychology .

Pearson, Emily and Graff, Jenna and Bai, Elena and Jakubowski, Kelly and Belfi, Amy M. (2023) 'Differences in autobiographical memories reported using text and voice during everyday life.', Memory, 31 (3). pp. 393-405.

Barnes, Molly (2022) 'The Other Otto Dresel: Public and Private Musical Identities in a German-American ‘Forty-Eighter’ and his Family, c1860–1880.', Nineteenth-Century Music Review, 19 (3). pp. 481-513.

Fuentes-Sánchez, Nieves and Pastor, Raúl and Eerola, Tuomas and Escrig, Miguel A. and Pastor, M. Carmen (2022) 'Musical preference but not familiarity influences subjective ratings and psychophysiological correlates of music-induced emotions.', Personality and Individual Differences, 198 . p. 111828.

Hsieh, Amanda (2022) 'Jewish Difference and Recovering ‘Commedia’: Erich W. Korngold’s ‘Die tote Stadt’ in Post-First World War Austria.', Music and Letters, 103 (4). pp. 685-707.

Hsieh, Amanda (2022) 'The Mask of Bourgeois Masculinity and Franz Schreker's Die Gezeichneten.', Cambridge opera journal., 34 (3). pp. 338-363.

Jakubowski, Kelly and Polak, Rainer and Rocamora, Martín and Jure, Luis and Jacoby, Nori (2022) 'Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony.', Cognition, 227 . p. 105205.

Eerola, T. and Lahdelma, I. (2022) 'Register Impacts Perceptual Consonance through Roughness and Sharpness.', Psychonomic Bulletin and Review, 29 (3). pp. 800-808.

Mills, Simon and Park, Sung-Hee (2022) 'Everyday Temple Chant in South Korean Chogye Sect Buddhism: An Analytical Study of the Personal Styles Cultivated by Monks.', Analytical Approaches to World Music Journal, 10 (1). pp. 1-68.

Lennie, Thomas M. and Eerola, Tuomas (2022) 'The CODA Model: A Review and Skeptical Extension of the Constructionist Model of Emotional Episodes Induced by Music.', Frontiers in psychology., 13 . p. 822264.

Lahdelma, I. and Armitage, J. and Eerola, T. (2022) 'Affective priming with musical chords is influenced by pitch numerosity.', Musicae scientiae., 26 (1). pp. 208-217.

Micallef Grimaud, A. and Eerola, T. (2022) 'An interactive approach to emotional expression through musical cues.', Music & Science, 5 . pp. 1-23.

Armitage, James and Eerola, Tuomas (2022) 'Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?', Auditory Perception & Cognition, 5 . pp. 192-210.

Bhattacharyya, Budhaditya (2022) 'The Changing Ecology of the Kolkata Tanpura.', South Asia: Journal of South Asian Studies, 45 (6). 1095-1111 .

Cattien, Jana and Stopford, Richard (2022) 'Eerie.', Angelaki, 27 (5).

Cattien, Jana and Stopford, Richard John (2022) 'The appropriating subject: Cultural appreciation, property and entitlement.', Philosophy & Social Criticism .

Deil, Juliane and Markert, Nina and Normand, Philip and Kammen, Philipp and Küssner, Mats B. and Taruffi, Liila (2022) 'Mind-wandering during contemporary live music: An exploratory study.', Musicae Scientiae .

Hamilton, Andy (2022) 'On Certainty on the Foundations of History as a Discipline.', Topoi, 41 (5). pp. 979-985.

Horlor, Samuel (2022) 'Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness.', Popular Music and Society, 45 (5). pp. 584-599.

Jakubowski, K. and Eerola, T. (2022) 'Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues.', Journal of Applied Research in Memory and Cognition, 11 (2). pp. 272-288.

Jakubowski, Kelly and Francini, Emma (2022) 'Differential effects of familiarity and emotional expression of musical cues on autobiographical memory properties.', Quarterly journal of experimental psychology. .

Johnson-Williams, Erin (2022) 'Silencing "Savage" Soundscapes: Hearing C-Section Births in the British Imperial Record.', Women and Music: A Journal of Gender and Culture, 26 . pp. 101-124.

Lahdelma, I. and Eerola, T. and Armitage, J. (2022) 'Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences?', Frontiers in Psychology, 13 . p. 802385.

McCullough, Matthew (2022) '‘An Art That Reaches Beyond the World’: Sir Arthur Bliss and Music as Spirituality.', Religions, 13 (12).

Micallef Grimaud, Annaliese and Eerola, Tuomas (2022) 'Emotional expression through musical cues: A comparison of production and perception approaches.', PLoS ONE., 17 (12). e0279605.

Reybrouck, Mark and Eerola, Tuomas (2022) 'Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening.', Behavioral Sciences, 12 (5). p. 154.

Street, Sally and Eerola, Tuomas and Kendal, Jeremy (2022) 'The role of population size in folk tune complexity.', Humanities and Social Sciences Communications, 9 . p. 152.

Gómez, J. and Cano, C. and Eerola, T. and Gomez, E. and Herrera, P. and Yang, Y. and Hu, X. and Yang, Y. (2021) 'Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications.', IEEE Signal Processing Magazine, 38 (6). pp. 106-114.

Warren, Matthew (2021) 'Notating Deconstruction: What Can Ethnomusicological Transcription Learn from the Notational Practices of Contemporary Composers?', Journal of the Royal Musical Association, 146 (2). pp. 283-314.

Eerola, T. and Vuoskoski, J. K. and Kautiainen, H. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2021) 'Being moved by listening to unfamiliar sad music induces reward-related hormonal changes in empathic listeners.', Annals of the New York Academy of Sciences, 1502 (1). pp. 121-131.

Lahdelma, I. and Athanasopoulos, G. and Eerola, T. (2021) 'Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners.', Annals of the New York Academy of Sciences, 1502 (1). pp. 72-84.

Horton, Julian (2021) 'Beethoven's Error? The Modulating Ritornello and the Type-5 Sonata in the Post-Classical Piano Concerto.', Music Analysis, 40 (3). pp. 353-412.

Fuentes-Sánchez, Nieves and Pastor, Raúl and Eerola, Tuomas and Pastor, M. Carmen (2021) 'Spanish adaptation of a film music stimulus set (FMSS) : cultural and gender differences in the perception of emotions prompted by music excerpts.', Psychology of music., 49 (5). pp. 1242-1260.

Micallef Grimaud, A.. and Eerola, T. (2021) 'EmoteControl: an interactive system for real-time control of emotional expression in music.', Personal and ubiquitous computing., 25 (4). pp. 677-689.

Stopford, Richard (2021) 'Threshold concepts and certainty: a critical analysis of 'troublesomeness'.', Higher education., 82 (1). pp. 163-179.

Jakubowski, Kelly and Belfi, Amy M. and Eerola, Tuomas (2021) 'Phenomenological Differences in Music- and Television-Evoked Autobiographical Memories.', Music Perception, 38 (5). pp. 435-455.

Jakubowski, Kelly and Ghosh, Anita (2021) 'Music-evoked autobiographical memories in everyday life.', Psychology of music., 49 (3). pp. 649-666.

Taruffi, L. and Skouras, S. and Pehrs, C. and Koelsch, S. (2021) 'Trait Empathy Shapes Neural Responses Toward Sad Music.', Cognitive, Affective, & Behavioral Neuroscience, 21 (1). pp. 231-241.

Athanasopoulos, George and Eerola, Tuomas and Lahdelma, Imre and Kaliakatsos-Papakostas, Maximos (2021) 'Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music.', PLoS ONE., 16 (1).

Eerola, T. and Lahdelma, I. (2021) 'The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords.', Music & Science, 4 .

Armitage, James and Lahdelma, Imre and Eerola, Tuomas (2021) 'Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners.', Journal of the Acoustical Society of America., 150 (1). p. 551.

Clayton, Martin and Tarsitani, Simone and Jankowsky, Richard and Jure, Luis and Leante, Laura and Polak, Rainer and Poole, Adrian and Rocamora, Martín and Alborno, Paolo and Camurri, Antonio and Eerola, Tuomas and Jacoby, Nori and Jakubowski, Kelly (2021) 'The Interpersonal Entrainment in Music Performance Data Collection.', Empirical Musicology Review, 16 (1). pp. 65-84.

Eerola, T. and Armitage, J. and Lavan, N. and Knight, S. (2021) 'Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations.', Auditory Perception & Cognition, 4 (3-4). pp. 251-280.

Fuentes-Sánchez, N. and Pastor, M. C. and Eerola, T. and Pastor, R. (2021) 'Individual differences in music reward sensitivity influence the perception of emotions represented by music.', Musicae Scientiae .

Glatthorn, Austin (2021) 'Staging Imperial Identity: Music Theatre, the Holy Roman Empire, and the French Revolutionary Wars.', Journal of War & Culture Studies, 14 (2). pp. 157-174.

Herff, S. A. and Cecchetti, G. and Taruffi, L. and Déguernel, K. (2021) 'Music influences vividness and content of imagined journeys in a directed visual imagery task.', Scientific reports., 11 (1). p. 15990.

Horton, Julian (2021) 'Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine.', Music theory spectrum., 43 (2). pp. 299-319.

Johnson-Williams, Erin (2021) 'Online EDI Resources: Towards a Reflexive Archive.', Royal Musical Association Research Chronicle .

Taruffi, Liila (2021) 'Mind-Wandering during Personal Music Listening in Everyday Life: Music-Evoked Emotions Predict Thought Valence.', International Journal of Environmental Research and Public Health, 18 (23). p. 12321.

Clayton, Martin and Jakubowski, Kelly and Eerola, Tuomas and Keller, Peter E. and Camurri, Antonio and Volpe, Gualtiero and Alborno, Paolo (2020) 'Interpersonal entrainment in music performance : theory, method and model.', Music perception : an interdisciplinary journal., 38 (2). pp. 136-194.

Liikkanen, L.A. and Jakubowski, K. (2020) 'Involuntary musical imagery as a component of ordinary music cognition : a review of empirical evidence.', Psychonomic bulletin & review., 27 (6). pp. 1195-1217.

Stopford, Richard (2020) 'Teaching feminism : problems of critical claims and student certainty.', Philosophy & social criticism., 46 (10). pp. 1203-1224.

Johnson-Williams, Erin (2020) 'The Examiner and the Evangelist : authorities of music and Empire, c.1894.', Journal of the Royal Musical Association., 145 (2). pp. 317-350.

Mills, Simon (2020) ''Release hitting' : an analytical study commemorating the artistry of the South Korean Shaman Musician Kim Yongt'aek.', AAWM journal., 8 (1). pp. 1-47.

Jacoby, Nori and Margulis, Elizabeth Hellmuth and Clayton, Martin and Hannon, Erin and Honing, Henkjan and Iversen, John and Klein, Tobias Robert and Mehr, Samuel A. and Pearson, Lara and Peretz, Isabelle and Perlman, Marc and Polak, Rainer and Ravignani, Andrea and Savage, Patrick E. and Steingo, Gavin and Stevens, Catherine J. and Trainor, Laurel and Trehub, Sandra and Veal, Michael and Wald-Fuhrmann, Melanie (2020) 'Cross-cultural work in music cognition : challenges, insights, and recommendations.', Music perception : an interdisciplinary journal., 37 (3). pp. 185-195.

Johnson-Williams, Erin (2020) 'Class, Control, & Classical Music by Anna Bull. New York: Oxford University Press, 2020. ISBN: 9780190844356.', NABMSA reviews., 7 (1). pp. 7-9.

Bannister, Scott (2020) 'A survey into the experience of musically induced chills : emotions, situations and music.', Psychology of music., 48 (2). pp. 297-314.

Schäfer, K. and Eerola, T. (2020) 'How listening to music and engagement with other media provide a sense of belonging : an exploratory study of social surrogacy.', Psychology of music., 48 (2). pp. 232-251.

Clayton, Martin (2020) 'Theory and practice of long-form non-isochronous meters : The case of the North Indian rūpak tāl.', Music theory online., 26 (1). p. 2.

Armitage, James and Eerola, Tuomas (2020) 'Reaction time data in music cognition : comparison of pilot data from lab, crowdsourced, and convenience web samples.', Frontiers in psychology., 10 . p. 2883.

Collins, Nick (2020) 'Composition in the age of AI.', Ideas Sónicas. .

Hamilton, Andy (2020) 'The aesthetics of imperfection re-conceived : improvisations, compositions and mistakes.', Journal of aesthetics and art criticism., 78 (3). pp. 289-302.

Horlor, Samuel (2020) 'Chinese street pop and performing with the urban environment.', Sound ethnographies., 2 (1). pp. 39-68.

Horlor, Samuel (2020) 'The sounds of social space : branding, built environment, and leisure in urban China.', Ethnomusicology forum., 29 (1). pp. 136-139.

Horton, Julian (2020) 'On the musicological necessity of music analysis.', Musical quarterly., 103 (1-2). pp. 62-104.

Jakubowski, K. and Eerola, T. and Blackwood Ximenes, A. and Ma, W.K. and Clayton, M. and Keller, P.E. (2020) 'Multimodal perception of interpersonal synchrony : evidence from global and continuous ratings of improvised musical duo performances.', Psychomusicology : music, mind, and brain., 30 (4). pp. 159-177.

Jakubowski, Kelly and Eerola, Tuomas and Tillmann, Barbara and Perrin, Fabien and Heine, Lizette (2020) 'A cross-sectional study of reminiscence bumps for music-related memories in adulthood.', Music & science., 3 .

Lahdelma, I. and Eerola, T. (2020) 'Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension.', Scientific reports., 10 . p. 8693.

Leante, Laura and Clayton, Martin (2020) 'Making the most of circumstances: Reflecting on the experience of two ethnomusicologist parents.', Ethnomusicology Forum, 29 (3). pp. 307-310.

Mills, Simon (2020) 'Memories of The Last Hwaraengi, Kim Junghee.', Studies in Korean music., 67 . pp. 279-320.

Hamilton, Andy (2019) 'Rhythm and movement : the conceptual interdependence of music, dance and poetry.', Midwest studies in philosophy., 44 (1). pp. 161-182.

Sequera, Hector (2019) 'Reconstructing William Byrd’s consort songs from the Paston lutebooks : a historically informed and computational approach to comparative analysis and musical idiom.', Early music., 47 (4). pp. 455-477.

Lameira, A. R. and Eerola, T. and Ravignani, A. (2019) 'Coupled whole-body rhythmic entrainment between two chimpanzees.', Scientific reports., 9 . p. 18914.

Bannister, Scott (2019) 'Distinct varieties of aesthetic chills in response to multimedia.', PLoS ONE., 14 (11). e0224974.

Clayton, Martin and Jakubowski, Kelly and Eerola, Tuomas (2019) 'Interpersonal entrainment in Indian instrumental music performance : synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure.', Musicae scientiae., 23 (3). pp. 304-331.

Becker, Susanne and Bräscher, Anne-Kathrin and Bannister, Scott and Bensafi, Moustafa and Calma-Birling, Destany and Chan, Raymond C.K. and Eerola, Tuomas and Ellingsen, Dan-Mikael and Ferdenzi, Camille and Hanson, Jamie L. and Joffily, Mateus and Lidhar, Navdeep K. and Lowe, Leroy J. and Martin, Loren J. and Musser, Erica D. and Noll-Hussong, Michael and Olino, Thomas M. and Pintos Lobo, Rosario and Wang, Yi (2019) 'The role of hedonics in the Human Affectome.', Neuroscience & biobehavioral reviews., 102 . pp. 221-241.

Maksimainen, Johanna P. and Eerola, Tuomas and Saarikallio, Suvi H. (2019) 'Ambivalent emotional experiences of everyday visual and musical objects.', SAGE Open, 9 (3). pp. 1-17.

Küssner, M. B. and Eerola, T. (2019) 'The content and functions of vivid and soothing visual imagery during music listening : findings from a survey study.', Psychomusicology : music, mind, and brain., 29 (2-3). pp. 90-99.

Taruffi, Liila and Küssner, Mats B. (2019) 'A review of music-evoked visual mental imagery : conceptual issues, relation to emotion, and functional outcome.', Psychomusicology : music, mind and brain., 29 (2-3). pp. 62-74.

Horlor, Samuel (2019) 'Neutralizing temporary inequities in moral status : Chinese street singers and the gift economy.', Asian music., 50 (2). pp. 3-32.

Horlor, Samuel (2019) 'Popular song afterlives : oral transmission and mundane creativity in street performances of Chinese pop classics.', Journal of world popular music., 6 (1). pp. 10-31.

Akkermans, Jessica and Schapiro, Renee and Müllensiefen, Daniel and Jakubowski, Kelly and Shanahan, Daniel and Baker, David and Busch, Veronika and Lothwesen, Kai and Elvers, Paul and Fischinger, Timo and Schlemmer, Kathrin and Frieler, Klaus (2019) 'Decoding emotions in expressive music performances : a multi-lab replication and extension study.', Cognition and emotion., 33 (6). 1099-1118 .

Horlor, Samuel (2019) 'Permeable frames : intersections of the performance, the everyday, and the ethical in Chinese street singing.', Ethnomusicology forum., 28 (1). pp. 3-25.

Zuk, Patrick (2019) 'Boris Asaf'yev in 1948.', Journal of the Royal Musical Association., 144 (1). pp. 123-156.

Maksimainen, J. and Wikgren, J. and Eerola, T. and Saarikallio, S. (2018) 'The effect of memory in inducing pleasant emotions with musical and pictorial stimuli.', Scientific reports., 8 (1). p. 17638.

Collins, Nick (2018) ''…there is no reason why it should ever stop' : large-scale algorithmic composition.', Journal of creative music systems., 3 (1).

Bannister, S. C. and Eerola, T. (2018) 'Suppressing the chills : effects of musical manipulation on the chills response.', Frontiers in psychology., 9 . p. 2046.

Horton, Julian (2018) 'Form and orbital tonality in the Finale of Bruckner's Seventh Symphony.', Music analysis., 37 (3). pp. 271-309.

Collins, Nick and Manning, Peter and Tarsitani, Simone (2018) 'A new curated corpus of historical electronic music : Collation, data and research findings.', Transactions of the International Society for Music Information Retrieval., 1 (1). pp. 34-55.

Bonneville-Roussy, A. and Eerola, T. (2018) 'Age trends in musical preferences in adulthood : 3. Perceived musical attributes as intrinsic determinants of preferences.', Musicae scientiae., 22 (3). pp. 394-414.

Eerola, T. and Vuoskoski, J. K. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2018) 'Towards a more explicit account of the transformation : reply to comments on “An integrative review of the enjoyment of sadness associated with music”.', Physics of life reviews., 25 . pp. 156-166.

Jakubowski, Kelly and Bashir, Zaariyah and Farrugia, Nicolas and Stewart, Lauren (2018) 'Involuntary and voluntary recall of musical memories: a comparison of temporal accuracy and emotional responses.', Memory & cognition., 46 (5). pp. 741-756.

Pehrs, C. and Zaki, J. and Taruffi, L. and Kuchinke, L. and Koelsch, S. (2018) 'Hippocampal-temporopolar connectivity contributes to episodic simulation during social cognition.', Scientific reports., 8 (1). p. 9409.

Heaton, Pamela and Tsang, Wai Fung and Jakubowski, Kelly and Mullensiefen, Daniel and Allen, Rory (2018) 'Discriminating autism and language impairment and specific language impairment through acuity of musical imagery.', Research in developmental disabilities., 80 . pp. 52-63.

Cespedes-Guevara, J. and Eerola, T. (2018) 'Music communicates affects, not basic emotions – a constructionist account of attribution of emotional meanings to music.', Frontiers in psychology., 9 . p. 215.

Eerola, T. and Jakubowski, K. and Moran, N. and Keller, P. and Clayton, M. (2018) 'Shared periodic performer movements coordinate interactions in duo improvisations.', Royal Society open science., 5 (2). p. 171520.

Reybrouck, M. and Eerola, T. and Podlipniak, P. (2018) 'Editorial : music and the functions of the brain : arousal, emotions, and pleasure.', Frontiers in psychology., 9 . p. 113.

Hadley, L.V. and Sturt, P. and Eerola, T. and Pickering, M.J. (2018) 'Incremental comprehension of pitch relationships in written music : evidence from eye movements.', Quarterly journal of experimental psychology., 71 (1). pp. 211-219.

Zuk, Patrick (2018) 'Music as post-traumatic discourse : Nikolay Myaskovsky’s Sixth Symphony.', Arts and humanities in higher education., 17 (1). pp. 104-118.

Johnson-Williams, Erin (2017) 'Musics of the free state : reflections on a musical past, present, and future.', Journal of the musical arts in Africa., 14 (1-2). pp. 99-102.

Collins, N. (2017) 'Corposing a history of electronic music.', Leonardo music journal., 27 . pp. 47-48.

Vuoskoski, J. K. and Eerola, T. (2017) 'Explaining the enjoyment of negative emotions evoked by the arts : the need to consider empathy and other underlying mechanisms of emotion induction.', Behavioral and brain sciences., 40 . pp. 42-43.

Taruffi, L. and Pehrs, C. and Skouras, S. and Koelsch, S. (2017) 'Effects of sad and happy music on mind-wandering and the default mode network.', Scientific reports., 7 (1). p. 14396.

Horton, J. (2017) 'Criteria for a theory of nineteenth-century sonata form.', Music theory and analysis (MTA)., 4 (2). pp. 147-191.

Eerola, T. and Vuoskoski, J. K. and Peltola, H.-R. and Putkinen, V. and Schäfer, K. (2017) 'An integrative review of the enjoyment of sadness associated with music.', Physics of life reviews., 25 . pp. 100-121.

Jakubowski, Kelly and Eerola, Tuomas and Alborno, Paolo and Volpe, Gualtiero and Camurri, Antonio and Clayton, Martin (2017) 'Extracting coarse body movements from video in music performance : a comparison of automated computer vision techniques with motion capture data.', Frontiers in digital humanities., 4 . p. 9.

Garrido, S. and Eerola, T. and McFerran, K. (2017) 'Group rumination : social interactions around music in people with depression.', Frontiers in psychology., 8 . p. 490.

Mills, Simon and Pratt, Keith (2017) 'The Durham Oriental Music Festival and its legacy.', Asian musicology., 27 . pp. 137-178.

Reybrouck, M. and Eerola, T. (2017) 'Music and its inductive power : a psychobiological and evolutionary approach to musical emotions.', Frontiers in psychology., 8 . p. 494.

Mills, Simon R.S. and Park, Sung-Hee (2017) 'The musical faces of South Korea’s East Coast shaman tradition : an exploration into personal style formation and expression.', Ethnomusicology forum., 26 (1). pp. 69-92.

Vuoskoski, J. K. and Eerola, T. (2017) 'The pleasure evoked by sad music is mediated by feelings of being moved.', Frontiers in psychology., 8 . p. 439.

Eerola, T. and Pearce, M. T. (2017) 'Modelling historical audiences : what can be inferred?', Journal of interdisciplinary music studies., 8 (1-2). pp. 132-140.

Pearce, M. T. and Eerola, T. (2017) 'Music perception in historical audiences : towards predictive models of music perception in historical audiences.', Journal of interdisciplinary music studies., 8 (1-2). pp. 91-120.

Putkinen, V. and Makkonen, T. and Eerola, T. (2017) 'Music-induced positive mood broadens the scope of auditory attention.', Social cognitive and affective neuroscience., 12 (7). pp. 1159-1168.

Dibble, J. C. (2016) 'Context, form and style in Sterndale Bennett's piano concertos.', Nineteenth-century music review., 13 (2). pp. 195-219.

Collins, Nick (2016) 'Towards machine musicians who have listened to more music than us : audio database-led algorithmic criticism for automatic composition and live concert systems.', Computers in entertainment., 14 (3). p. 2.

Dibble, Jeremy (2016) 'Hamilton Harty's Ode to a Nightingale : a confluence of Wagner and Elgar.', Journal of the Society of Musicology in Ireland., 11 (2015-16). pp. 57-81.

Zon, Bennett (2016) 'Anthropology, theology, and the simplicity of Benedict XVI's Chant.', Logos: a journal of Catholic thought and culture., 19 (1). pp. 15-40.

Pearson, Lara (2016) 'Coarticulation and gesture : an analysis of melodic movement in South Indian raga performance.', Music analysis., 35 (3). pp. 280-313.

Eerola, T. and Vuoskoski, J. K. and Kautiainen, H. (2016) 'Being moved by unfamiliar sad music is associated with high empathy.', Frontiers in psychology., 7 . p. 1176.

Collins, Nick (2016) 'A funny thing happened on the way to the formula : algorithmic composition for musical theatre.', Computer music journal., 40 (3). pp. 41-57.

Eerola, T. (2016) 'Expectancy-violation and information-theoretic models of melodic complexity.', Empirical musicology review., 11 (1). pp. 2-17.

Hambridge, Katherine (2016) 'Melodramatic histrionics Bernhard Anselm Weber, ‘Ich bin geliebt’ (Sulmalle), Sulmalle.', Cambridge opera journal., 28 (2). pp. 141-144.

Lahdelma, I. and Eerola, T. (2016) 'Mild dissonance preferred over consonance in single chord perception.', i-Perception., 7 (3). pp. 1-21.

Eerola, T. and Peltola, H.-R. (2016) 'Memorable experiences with sad music-reasons, reactions and mechanisms of three types of experiences.', PLoS ONE., 11 (6). e0157444.

Evans, H. M. (2016) 'Medicine, the body and an invitation to wonder.', Medical humanities., 42 (2). pp. 97-102.

Saari, Pasi and Fazekas, Gyorgy and Eerola, Tuomas and Barthet, Mathieu and Lartillot, Olivier and Sandler, Mark (2016) 'Genre-adaptive semantic computing and audio-based modelling for music mood annotation.', IEEE transactions on affective computing., 7 (2). pp. 122-135.

Collins, Nick (2016) 'Live coding and teaching SuperCollider.', Journal of music, technology and education., 9 (1). pp. 5-16.

Hausmann, M. and Hodgetts, S. and Eerola, T. (2016) 'Music-induced changes in functional cerebral asymmetries.', Brain and cognition., 104 . pp. 58-71.

Peltola, H. and Eerola, T. (2016) 'Fifty shades of blue : classification of music-evoked sadness.', Musicae scientiae., 20 (1). pp. 84-102.

Brattico, E. and Bogert, B. and Alluri, V. and Tervaniemi, M. and Eerola, T. and Jacobsen, T. (2016) 'It’s sad but I like it : the neural dissociation between musical emotions and liking in experts and laypersons.', Frontiers in human neuroscience., 9 . p. 676.

Clayton, Martin (2016) 'Aksak patterns and entrained interaction in Transylvanian village music.', Empirical musicology review., 10 (4). pp. 292-301.

Jakubowski, K. and Finkel, S. and Stewart, L. and Müllensiefen, D. (2016) 'Dissecting an earworm : melodic features and song popularity predict involuntary musical imagery.', Psychology of aesthetics, creativity, and the arts., 3 .

Lahdelma, I. and Eerola, T. (2016) 'Single chords convey distinct emotional qualities to both naïve and expert listeners.', Psychology of music., 44 (1). pp. 37-54.

Lahdelma, I. and Eerola, T. (2015) 'Theoretical proposals how vertical harmony may convey nostalgia and longing in music.', Empirical musicology review., 10 (3). pp. 245-263.

Jakubowski, Kelly and Farrugia, N. and Halpern, A.R. and Sankarpandi, S.K. and Stewart, L. (2015) 'The speed of our mental soundtracks : tracking the tempo of involuntary musical imagery in everyday life.', Memory & cognition., 43 (8). pp. 1229-1242.

Clayton, Martin and Leante, Laura (2015) 'Role, status and hierarchy in the performance of North Indian classical music.', Ethnomusicology forum., 24 (3). pp. 414-442.

Farrugia, N. and Jakubowski, Kelly and Cusack, R. and Stewart, L. (2015) 'Tunes stuck in your brain : the frequency and affective evaluation of involuntary musical imagery correlate with cortical structure.', Consciousness and cognition., 35 . pp. 66-77.

Juslin, P. N. and Barradas, G. and Eerola, T. (2015) 'From sound to significance : exploring the mechanisms underlying emotional reactions to music.', American journal of psychology., 128 (3). pp. 281-304.

Alborno, Paolo and Clayton, Martin and Keller, Peter and Volpe, Gualtiero and Camurri, Antonio (2015) 'Automated video analysis of interpersonal entrainment in Indian music performance.', EAI endorsed transactions on future intelligent educational environments., 15 (4). e3.

Eerola, T. and Peltola, H.-R. and Vuoskoski, J. K. (2015) 'Attitudes toward sad music are related to both preferential and contextual strategies.', Psychomusicology : music, mind, and brain., 25 (2). pp. 116-123.

Barker, Thomas P. (2015) 'Spatial dialectics : intimations of freedom in antebellum slave song.', Journal of black studies., 46 (4). pp. 363-383.

Dibble, Jeremy (2015) 'War, impression, sound, and memory : British music and the First World War.', German Historical Institute London bulletin., 37 (1). pp. 43-56.

Collins, Nick (2015) 'The Ubuweb electronic music corpus : an MIR investigation of a historical database.', Organised sound., 20 (1). pp. 122-134.

Hambridge, Katherine (2015) 'Staging singing in the theater of war (Berlin, 1805).', Journal of the American Musicological Society., 68 (1). pp. 39-98.

Will, Udo and Clayton, Martin and Wertheim, Ira and Leante, Laura and Berg, Eric (2015) 'Pulse and entrainment to non-isochronous auditory stimuli : the case of North Indian Alap.', PLoS ONE., 10 (4). e0123247.

Evans, H. M. (2015) 'Wonder and the patient.', Journal of medical humanities., 36 (1). pp. 47-58.

Saari, P. and Eerola, T. (2014) 'Semantic computing of moods based on tags in social media of music.', IEEE transactions on knowledge and data engineering., 26 (10). pp. 2548-2560.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2014) 'From technological investigation and software emulation to music analysis : an integrated approach to Barry Truax's Riverrun.', Proceedings of the 2014 international computer music conference. Music technology meets philosophy : from digital echos to virtual ethos, 14-20 September, Athens, Greece., 2014 . pp. 201-208.

Zon, Bennett (2014) 'Science, theology and the simplicity of chant : Victorian musicology at war.', Journal of the history of ideas., 75 (3). pp. 439-469.

Zuk, Patrick (2014) 'Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment.', Journal of musicology., 31 (3). pp. 354-393.

Williamson, V.J. and Liikkanen, L.A. and Jakubowski, Kelly and Stewart, L. (2014) 'Sticky tunes : how do people react to involuntary musical imagery?', PLoS ONE., 9 (1). e86170.

Buttigieg, Lydia (2013) 'Carmelo Pace (1906-1993) : homage to the first modernist Maltese composer of the 20th century.', The Malta Independent on Sunday. .

Mills, Simon R.S. and Park, Sung-Hee (2013) 'A mysterious island in the digital age : technology and musical life in Ulleungdo, South Korea.', Ethnomusicology forum., 22 (2). pp. 160-187.

Eerola, T. and Friberg, A. and Bresin, R. (2013) 'Emotional expression in music : contribution, linearity, and additivity of primary musical cues.', Frontiers in psychology., 4 . p. 487.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'TIAALS : a new generic set of tools for the interactive aural analysis of electroacoustic music.', Electroacoustic music in the context of interactive approaches and networks, EMS 2013, 17-21 June, Lisbon, Portugal ; proceedings. .

Zon, Bennett (2013) 'Nineteenth-century Britain and musical representations of Asia.', Comparative studies on regional powers., 13 . pp. 47-57.

Johnson-Hill, Erin (2013) 'Miscellany and collegiality in the British periodical press : The Harmonicon (1823–1833).', Nineteenth-century music review., 9 (2). pp. 255-293.

Clinch, J. D. (2013) 'Herbert Howells's organ works? Critical reception, performance practice and the case for reappraisal.', BIOS journal / British Institute of Organ Studies and English Organ Archive., 37 . pp. 127-138.

Pearson, Lara (2013) 'Gesture and the sonic event in Karnatak music.', Empirical musicology review., 8 (1). pp. 2-14.

Buttigieg, Lydia (2013) 'Maestro Carmelo Pace (1906 - 1993) : a prolific twentieth-century composer, musician and music educator.', The educator., 1 . pp. 47-74.

Dickson, Ian (2012) 'Towards a grammatical analysis of Scelsi's late music.', Music analysis., 31 (2).

Manning, P.D. (2012) 'The Oramics machine : from vision to reality.', Organised sound., 17 (2). pp. 137-147.

Clayton, Martin (2012) 'What is entrainment? Definition and applications in musical research.', Empirical musicology review., 7 (1-2). pp. 49-56.

Mills, Simon R.S. (2012) 'Music and Death: Introduction.', Mortality : promoting the interdisciplinary study., 17 (2). pp. 89-91.

Mills, Simon R.S. (2012) 'Sounds to soothe the soul : music and bereavement in a traditional South Korean death ritual.', Mortality : promoting the interdisciplinary study of death and dying., 17 (2). pp. 145-157.

Ferrer, R. and Eerola, T. (2011) 'Semantic structures of timbre emerging from social and acoustic descriptions of music.', EURASIP journal on audio, speech, and music processing., 2011 . p. 11.

Mills, Simon R.S. (2011) 'The tale of the three young brothers : an analytical study of music and communal joy (hŭng) in Korean folk culture.', Music analysis., 29 (1-3). pp. 276-305.

Lucas, Glaura and Clayton, Martin and Leante, Laura (2011) 'Inter-group entrainment in Afro-Brazilian Congado ritual.', Empirical musicology review., 6 (2). pp. 75-102.

Clinch, J.D. (2011) ''Beauty springeth out of naught' : interpreting the church music of Herbert Howells.', British postgraduate musicology., 11 .

Zuk, Patrick (2010) 'Translating national identity into music : representations of 'Traditional Ireland' in A. J. Potter's television opera Patrick.', Études irlandaises., 35 (2). pp. 81-97.

Leante, Laura (2010) 'Contesti e pratiche di performance del bhangra in Punjab e nella diaspora.', MOLIMO : Quaderni di Antropologia culturale ed Etnomusicologia., 5 . pp. 141-160.

Mills, Simon R.S. (2010) 'Playful patterns of freedom : Hand Gong performance in Korean shaman ritual.', Musiké : International journal of ethnomusicological studies. . pp. 145-170.

Leante, Laura (2009) 'The lotus and the king : imagery, gesture and meaning in a Hindustani rāg.', Ethnomusicology forum., 18 (2). pp. 185-206.

Clayton, Martin (2009) 'Crossing boundaries and bridging gaps : thoughts on relationships between ethnomusicology and music psychology.', Empirical musicology review., 4 (2). pp. 75-77.

Dickson, Ian (2009) 'Orality and rhetoric in Scelsi's music.', Twentieth-century music., 6 (01). pp. 23-41.

Zon, B. (2009) ''Loathsome London' : Ruskin, Morris, and Henry Davey's History of English Music (1895).', Victorian literature and culture., 37 (2). pp. 359-375.

Manning, P.D. and Clarke, M. (2008) 'The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment.', Organised sound., 13 (3). pp. 177-187.

Clayton, Martin (2007) 'Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking.', Musicae scientiae., 11 (1). pp. 27-59.

Fitch, F. J. and Heyde, N. (2007) ''"Recercar" : the collaborative process as invention.', Twentieth-century music., 4 (1). pp. 71-95.

Clayton, Martin (2007) 'Time, gesture and attention in a Khyal performance.', Asian music., 38 (2). pp. 71-96.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Manning, P. D. (2006) 'The significance of techné in understanding the art and practice of electroacoustic composition.', Organised sound., 11 (1). pp. 81-90.

Fitch, F J. (2006) 'Agricola and the rhizome II : contrapuntal ramifications.', Trossinger Jahrbuch fur Renaissancemusik., 6 . pp. 19-58.

Spitzer, M. (2006) 'Meditations on Meyer's hobby horses : levels of motivation in musical signs.', Applied semiotics = Sémiotique appliquée., 2 (4). pp. 41-48.

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Spitzer, M. (2005) 'Tovey's evolutionary metaphors.', Music analysis., 24 (3). pp. 437-469.

Zuk, P. (2005) ''Our songs are our laws' : music and the Republic (Part 2).', The Republic : a journal of contemporary and historical debate., 4 . pp. 116-132.

Fitch, F. J. (2005) 'Agricola and the rhizome : an aesthetic of the late Cantus-Firmus mass.', Revue Belge de musicologie., 59 . pp. 65-92.

Clayton, Martin and Sager, Rebecca and Will, Udo (2005) 'In time with the music : the concept of entrainment and its significance for ethnomusicology.', European meetings in ethnomusicology., 11 (ESEM Counterpoint 1) . pp. 1-82.

Paddison, M. (2004) 'Performance, reification, and score : the dialectics of spatialization and temporality in the experience of music.', Musicae scientiae., Discussion Forum 3 . pp. 157-179.

Zuk, P. (2004) 'Words for music perhaps ? Irishness, criticism and the art tradition.', Irish studies review., 12 (1). pp. 11-29.

Manning, P. D. (2003) 'The influence of recording technologies on the early development of electroacoustic music.', Leonardo music journal., 13 . pp. 5-10.

Zuk, P. (2003) ''Our songs are our laws' : music and the Republic (part 1).', The Republic : a journal of contemporary and historical debate., 3 . pp. 113-131.

Kanno, M. (2003) 'Thoughts on how to play in tune : pitch and intonation.', Contemporary music review., 22 (1-2). pp. 35-52.

Spitzer, M. (2003) 'The metaphor of musical space.', Musicae scientiae., 1 (7). pp. 101-120.

Clayton, Martin (2002) 'Teaching Indian music at a distance : a perspective from the UK.', Journal of the Indian Musicological Society., 33 . pp. 36-41.

Fitch, F. J. (2001) 'Restoring Ockeghem's Mort, tu as navre.', Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis., LI (1). pp. 3-24.

Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.

Clayton, Martin (1998) ''You can't fuse yourself' : contemporary British-Asian music and the musical expression of identity.', East European meetings in ethnomusicology., 5 . pp. 73-87.

Clayton, Martin (1997) 'Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).', Cahiers de musiques traditionelles., 10 . pp. 169-189.

Clayton, Martin (1996) 'Free rhythm : ethnomusicology and the study of music without metre.', Bulletin of the School of Oriental and African Studies., 59 (2). pp. 323-332.

Clayton, Martin (1996) 'Ethnographic wax cylinders at the British Library National Sound Archive : a brief history and description of the collection.', British journal of ethnomusicology., 5 (1). pp. 67-92.

Clayton, Martin (1993) 'Two gat forms for the sitār : a case study in the rhythmic analysis of North Indian music.', British journal of ethnomusicology., 2 (1). pp. 75-98.

Book

Horlor, Samuel (2021) 'Chinese Street Music: Complicating Musical Community.', Cambridge: Cambridge University Press. Elements in Twenty-First Century Music Practice.

Lightman, Bernard and Zon, Bennett (2014) 'Evolution and Victorian culture.', . Cambridge studies in nineteenth-century literature and culture.

P.D., Manning (2013) 'Electronic and Computer Music: Fourth Edition.', Oxford : Oxford University Press.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2012) 'The Cultural Study of Music: A Critical Introduction (Second Edition).', London: Routledge.

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Cox, Gareth (2010) 'Seóirse Bodley.', Dublin: Field Day Publications ; Keough-Naughton Institute for Irish Studies. Field Day Music.

Clayton, Martin (2008) 'Music, words, and voice : a reader.', Manchester: Manchester University Press.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Clayton, Martin and Zon, Bennett (2007) 'Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East.', Aldershot: Ashgate. Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Music, time and place : essays in comparative musicology.', Delhi: B.R.Rhythms.

Dibble, J. C. (2007) 'John Stainer: A Life in Music.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Spitzer, M. (2006) 'Music as philosophy : Adorno and Beethoven's late style.', Bloomington, Ind.: Indiana University Press, p. 328. Musical meaning and interpretation.

Zuk, P. (2006) 'Raymond Deane.', Dublin: Field Day Books. Field Day music., 2

Manning, P. D. (2004) 'Electronic and computer music.', New York: Oxford University Press, p. 496.

McCollum, J. and Nercessian, A. (2004) 'Armenian music : a comprehensive bibliography and discography.', London: Scarecrow Press, p. 256.

Spitzer, M. (2004) 'Metaphor and musical thought.', Chicago: University of Chicago Press, p. 380.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2003) 'The cultural study of music : a critical introduction.', New York: Routledge.

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

Nercessian A., (2002) 'Postmodernism and globalization in ethnomusicology : an epistemological problem.', Lanham, Md.: Scarecrow Press, p. 150.

Nercessian, A. (2001) 'The Duduk and national identity in Armenia.', Lanham, Md.: Scarecrow Press, p. 144.

Clayton, Martin (2000) 'Time in Indian music : rhythm, metre and form in North Indian rag performance.', Oxford: Oxford University Press.

Book chapter

Bryant Davies, Rachel and Johnson-Williams, Erin (2022) 'Introduction: Encountering the Intersectional Archive.', in Intersectional Encounters in the Nineteenth-Century Archive: New Essays on Power and Discourse. London: Bloomsbury Academic, pp. 1-30. New Directions in Social and Cultural History.

Jakubowski, Kelly (2022) 'Mental Imagery in Music-Evoked Autobiographical Memories.', in Music and Mental Imagery. London: Routledge, pp. 137-146. SEMPRE Studies in The Psychology of Music.

Johnson-Williams, Erin (2022) 'Enclosing Archival Sound: Colonial Singing as Discipline and Resistance.', in Intersectional Encounters in the Nineteenth-Century Archive: New Essays on Power and Discourse. London: Bloomsbury Academic, pp. 115-136. New Directions in Social and Cultural History.

Zon, Bennett (2021) 'Music theology as the mouthpiece of science : proving it through congregational music studies.', in Studying congregational music : key issues, methods, and theoretical perspectives. .

Hambridge, Katherine (2021) 'Music, Romanticism and Politics.', in The Cambridge Companion to Music and Romanticism. Cambridge: Cambridge University Press, pp. 92-109. Cambridge Companions to Music.

Horlor, Samuel (2021) 'A social aesthetics of imperfection: spontaneity and meaning in pop on the streets of China.', in The aesthetics of imperfection in music and the arts : spontaneity, flaws and the unfinished. London: Bloomsbury Academic, pp. 73-85.

Snijders, John (2021) 'That is not Freedom, that is taking License: the pitfalls in performing Morton Feldman's graphic scores.', in The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and the Unfinished. , pp. 166-175.

Zon, Bennett (2020) 'Science and religion.', in The Oxford handbook of music and intellectual culture in the nineteenth century,. Oxford: Oxford University Press.

Hambridge, Katherine (2020) ''(Cross-)Gendering the German Voice'.', in Beethoven Studies 4. Cambridge: Cambridge University Press, pp. 121-143. Cambridge Composer Studies.

Hambridge, Katherine (2020) ''Catching Up and Getting Ahead: The Opera House as Temple of Art in Berlin c. 1800'.', in The Oxford Handbook of the Operatic Canon. Oxford: Oxford University Press. Oxford Handbooks.

Horton, Julian (2020) 'Syntax and process in the first movement of Mendelssohn’s Piano Trio, Op. 66.', in Rethinking Mendelssohn. Oxford: Oxford University Press.

Clayton, Martin (2020) 'Empirical methods in the study of music performance : an interdisciplinary history.', in Investigating musical performance : theoretical models and intersection. London: Routledge, pp. 9-24. Musical cultures of the twentieth century.

Clayton, Martin (2020) 'Entrainment and the social origins of musical rhythm.', in The philosophy of rhythm : aesthetics, music, poetics. Oxford: Oxford University Press.

Zon, Bennett (2020) 'Liberalism and Victorian musical sympathy.', in Music and Victorian Liberalism. Cambridge: Cambridge University Press, pp. 180-200.

Collins, Nick and Knotts, Shelly (2019) 'A javascript musical machine listening library.', in Proceedings of the 2019 International Computer Music Conference. San Francisco: The International Computer Music Association, pp. 383-387.

Zon, Bennett (2019) 'All arts aspire to the condition of musicology : Victorian musicology as interdiscipline.', in Victorian culture and the origin of disciplines. , pp. 283-307. The nineteenth-century.

Weeks, James (2019) 'Finnissy's voices.', in Critical perspectives on Michael Finnissy : bright futures, dark pasts. London: Routledge. Ashgate studies in theory and analysis of music after 1900.

Mills, Simon and Pratt, Keith (2019) 'The Durham Oriental Music Festival and Chinese Music.', in Global perspectives of ethnomusicologicals in the Internet Age. , pp. 250-305.

Collins, Nick (2019) 'Sonification of the Riemann Zeta function.', in Proceedings of the 25th International Conference on Auditory Display (ICAD 2019). , pp. 36-41.

Hamilton, Andy and Macarthur, David and Squires, Roger and Tugby, Matthew and Wiseman, Rachael (2019) 'Dialogue on rhythm : entrainment and the dynamic thesis.', in The philosophy of rhythm : aesthetics, music, poetics. New York: Oxford University Press, pp. 15-42.

Johnson-Williams, Erin (2019) 'Music education : the case of Annie Curwen.', in The Palgrave encyclopedia of Victorian women's writing. .

Mills, Simon R.S. (2018) 'Life beyond ritual? Preserving the shamanic performance arts in South Korea today.', in Music as heritage : historical and ethnographic perspectives. Abingdon, Oxon: Routledge, pp. 105-128. SOAS musicology series.

Evans, H. M. (2018) 'Music in body and imagination.', in The Oxford handbook of music and the body. Oxford: Oxford University Press. Oxford handbooks online.

Hambridge, Katherine and Hicks, Jonathan (2018) 'The Melodramatic Moment.', in The Melodramatic Moment: Music and Theatrical Culture, 1790-1820. Chicago: University of Chicago Press.

Leante, Laura (2018) 'The cuckoo’s song : imagery and movement in Monsoon ragas.', in Monsoon feelings : a history of emotions in the rain. New Delhi: Niyogi Books.

Zuk, Patrick (2018) 'L'ami inconnu : Nataliya Esposito and Ivan Bunin.', in Music preferred : essays in musicology, cultural history and analysis in honour of Harry White. Vienna: Hollitzer Verlag, pp. 371-387.

Eerola, T. (2018) 'Music and emotion.', in Springer handbook of systematic musicology. Berlin, Heidelberg: Springer, pp. 539-554. Springer handbooks.

Zon, Bennett (2017) 'Evolution.', in The Edinburgh critical history of nineteenth-century Christian theology. Edinburgh: Edinburgh University Press. Edinburgh critical history of theology.

Zon, Bennett (2017) 'Music.', in Oxford handbook of nineteenth-century Christian thought. Corby: Oxford University Press, pp. 459-470. Oxford handbooks in religion and theology.

Zon, Bennett (2017) 'Spencer, sympathy and the Oxford School of Music Criticism.', in British musical criticism and intellectual thought, 1850-1950. Woodbridge, Suffolk, UK: Boydell & Brewer. Music in Britain, 1600-2000.

Clayton, Martin (2017) 'The ethnography of embodied music interaction.', in The Routledge companion to embodied music interaction. . Routledge companions.

Hambridge, K. G. and Andries, A. (2017) 'Music, women and the allure of Napoleon.', in The allure of Napoleon : essays Inspired by the collections of the Bowes Museum. Barnard Castle, County Durham: Bowes Museum, pp. 19-22.

Mills, Simon (2017) 'Music in Korean Shaman ritual.', in Eolssigu! the sounds of Korea. Barcelona: Ajuntament de Barcelona, pp. 86-103.

Leante, Laura (2016) 'Observing musicians/audience interaction in North Indian classical music performance.', in Musicians and their audiences : performance, speech and mediation. Abingdon, Oxon: Routledge, pp. 34-43.

Burt, T. P. and Evans, H. M. (2016) 'Building characters, sharpening minds : the values and virtues of the collegiate way.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, pp. 75-92. Contexts of education. (6).

Burt, T. P. and Evans, H. M. (2016) 'Epilogue.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, pp. 161-165. Contexts of education. (6).

Evans, H. M. and Burt, T. P. (2016) 'Introduction.', in The collegiate way : university education in a collegiate context. Rotterdam: Sense Publishers, xi-xvi. Contexts of education. (6).

Evans, H. M. (2016) 'Medical humanities and the place of wonder.', in The Edinburgh companion to the critical medical humanities. Edinburgh: Edinburgh University Press, pp. 339-355. Edinburgh companions.

Sequera, Hector (2015) 'Alternatives to the ‘English a cappella heresy’ : performance practice of sacred Spanish polyphony in English domestic circles based on Elizabethan and early Jacobean sources.', in New perspectives on early music in Spain. Kassel: Edition Reichenberger, pp. 447-462. Iberian early music studies. (1).

Eerola, T. (2014) 'Complexity.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 227-229.

Eerola, T. (2014) 'Database studies.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 316-319.

Eerola, T. (2014) 'Melody processing.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 684-687.

Eerola, T. (2014) 'Similarity, melodic.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 1003-1006.

Lightman, Bernard and Zon, Bennett (2014) 'Introduction.', in Evolution and Victorian culture. , pp. 1-16. Cambridge studies in nineteenth-century literature and culture.

Zon, Bennett (2014) 'The ‘non-Darwinian’ revolution and the great chain of musical being.', in Evolution and Victorian culture. Cambridge: Cambridge University Press, pp. 196-226. Cambridge studies in nineteenth-century literature and culture.

Eerola, T. (2014) 'Modelling emotions in music : advances in conceptual, contextual and validity issues.', in Audio Engineering Society conference : 53rd AES International Conference : semantic audio, 27-29 January 2014, London, UK ; proceedings. , S1-1.

Leante, Laura (2014) 'Gesture and imagery in music performance : perspectives from North Indian classical music.', in The Routledge companion to music and visual culture. New York: Routledge, pp. 145-152. Routledge companions.

Mills, Simon R.S. (2014) ''Local heroes' : re-establishing drums and gongs in Ulleungdo’s musical life.', in Han’guk ŭmakhak-ŭi chip’yŏng : Hwang Chunyŏn kyosu chŏngnyŏn t’woeim kinyŏm = Musicology in Korea : a commemorative retirement collection for Professor Hwang Chunyŏn. Seoul, Korea: Minsokwon, pp. 419-430.

Zon, Bennett (2013) 'The music of non-Western nations and the evolution of British ethnomusicology.', in Cambridge history of world music. , pp. 298-318.

Clayton, Martin and Leante, Laura (2013) 'Embodiment in music performance.', in Experience and meaning in music performance. , pp. 188-207.

Leante, Laura (2013) 'Imagery, movement and listeners’ construction of meaning in North Indian classical music.', in Experience and meaning in music performance. Oxford : Oxford University Press, pp. 161-187.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'Introducing TaCEM and the TIAALS software.', in Proceedings of the 2013 international computer music conference. International developments in electroacoustics, 2013 ICMC IDEA, 11-17 August, Perth, Australia. San Francisco: International Computer Music Association, pp. 47-53. International computer music conference proceedings., 2013

Eerola, T. (2013) 'Modelling emotional effects of music : key areas of improvement.', in Proceedings of SMC 2013 : 10th Sound and Music Computing Conference, July 30 - August 2, 2013, KTH Royal Institute of Technology, Stockholm, Sweden. Berlin: Logos Verlag Berlin, pp. 269-276.

Mills, Simon R.S. (2013) 'A tune with many faces : European interpretations of Arirang.', in Arirang in Korean culture and beyond : Arirang from diverse perspectives. Seongnam : Academy of Korean Studies Press, pp. 257-274.

Evans, M. (2013) 'Open futures, human finitude.', in Medical humanities companion : prognosis. London: Radcliffe Publishing, pp. 105-120.

Evans, M. (2013) 'Wonderful treatment.', in Medical humanities companion : treatment. London: Radcliffe Publishing, pp. 17-32.

Mills, Simon R.S. (2012) 'Music in Korean shaman ritual.', in Rediscovering traditional Korean performing arts. Seoul: Korea Arts Management Service, pp. 39-45.

Fatone, Gina A. and Clayton, Martin and Leante, Laura and Rahaim, Matt (2011) 'Imagery, melody and gesture in cross-cultural perspective.', in New perspectives on music and gesture. Farnham, Surrey: Ashgate, pp. 203-220. SEMPRE studies in the psychology of music.

Dahl, Sofia and Bevilacqua, Frederic and Bresin, Roberto and Clayton, Martin and Leante, Laura and Poggi, Isabella and Rasamimanana, Nicolas (2009) 'Gestures in performance.', in Musical gestures : sound, movement, and meaning. London: Routledge, pp. 36-68.

Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207.

Clayton, Martin (2009) 'Local practice, global network : the guitar in India as a case study.', in Theorizing the local : music, practice and experience in South Asia and beyond. New York: Oxford University Press , pp. 65-78.

Clayton, Martin (2009) 'The social and personal functions of music in cross-cultural perspective.', in The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 35-44.

Kanno, M. (2009) 'Cage's Freeman etudes : sounding out.', in MetaCage : essays on and around Freeman etudes, Fontana mix, Aria. Leuven: Leuven University Press, pp. 43-60. Collected writings of the Orpheus Institute. (2).

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Clayton, Martin (2008) 'Toward an ethnomusicology of sound experience.', in The new (ethno)musicologies. Lanham, Maryland: Scarecrow Press , pp. 135-169. Europea: ethnomusicologies and modernities. (8).

Mills, Simon R.S. (2008) 'Tokkaekki Changdan : a musical goblin in east coast shaman ritual?', in Mandan Yi Hyegu Paksa Paeksu Kinyom Nonmunjip : a collection of essays to commemorate the 100th Birthday of Scholar Yi Hyegu. Seoul: Minsokwon.

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Clayton, Martin (2007) 'Musical renaissance and its margins in England and India, 1874–1914.', in Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. Aldershot: Ashgate, 71-93 . Music in nineteenth-century Britain.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Zon, B. M. (2006) 'From ‘very acute and plausible’ to ‘curiously misinterpreted’: Sir William Jones’s ‘On the Musical Modes of the Hindus’ (1792) and its reception in later musical treatises.', in Romantic orientalism. London: Routledge, pp. 197-219.

Clayton, Martin (2005) 'Communication in Indian raga performance.', in Musical communication. Oxford: Oxford University Press, pp. 361-381.

Zuk, P. (2005) 'The composer and the problem of modern choral music.', in Cork International Choral Festival, 1954-2004 : a celebration. Cork: Glen House Press, pp. 320-329.

Paddison, M. (2004) 'Authenticity and failure in Adorno's aesthetics of music.', in The Cambridge companion to Adorno. Cambridge: Cambridge University Press, pp. 198-221. Cambridge companions to philosophy.

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

Nercessian, A. (2004) 'National identity, culture policy and the Soviet folk ensemble in Armenia.', in Soviet music and society under Lenin and Stalin : the baton and the sickle. London: RoutledgeCurzon, pp. 148-162. BASEES/Curzon Series on Russian & East European Studies.

Fitch, F. J. (2003) 'Agricola versus Alamire : the lie of the sources.', in The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven. Leuven, Neerpelt: Alamire, pp. 299-308.

Clayton, Martin (2003) 'Comparing music, comparing musicology.', in The cultural study of music : a critical introduction. New York: Routledge, pp. 57-68.

Paddison, M. (2003) 'Stravinsky as devil : Adorno's three critiques.', in The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, pp. 192-202. Cambridge companions to music.

Paddison, Max. (2002) 'Music as ideal : the aesthetics of autonomy.', in The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, pp. 318-342. The Cambridge history of music. (10.2277/0521590175).

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

Paddison, M. (2001) 'Immanent critique or musical stocktaking ? Adorno and the problem of musical analysis.', in Adorno : a critical reader. Oxford: Blackwell, pp. 209-233. Blackwell critical reader.

Clayton, Martin (2001) 'Rock to Raga : the many lives of the Indian guitar.', in Guitar cultures. Oxford, UK: Berg , pp. 179-208.

Hamilton, Andrew and Barnes, Molly 'The role of the Canon.', in Art and Entertainment. .

Conference item

Kanno, M. and Hayden, S. (2011) 'Towards musical interaction : 'Schismatics' for e-violin and computer.', Proceedings of the International Computer Music Conference, ICMC 2011 Huddersfield, England.

Monograph

Collins, Nick (2022) 'OK Computer Analysis: An Audio Corpus Study of Radiohead.', Project Report. UNSPECIFIED.

Zuk, Patrick (2013) 'The 'serial' works of A. J. Potter.', Working Paper. Durham Research Online (DRO), Durham.

Clayton, M. (2013) 'The time of music and the time of history.', Working Paper. Durham Research Online (DRO), Durham.

Zuk, Patrick (2013) 'Nikolay Myaskovsky and the 'Regimentation' of Soviet composition : towards a reassessment.', Working Paper. Durham Research Online (DRO), Durham.

Other

Weeks, James (2018) 'Venetian sky.', University of York Music Press, York.

Snijders, John (2017) 'Afternoon (Faun).', John Snijders.

Rijnvos, Richard (2012) 'Antarctique - seventh and final part of GRAND ATLAS : représentation du monde universel en sept tableaux musicaux - for large symphony orchestra.', Éditions R².

Wishart, T. (2007) 'The division of labour.', PFAU, Deep Wireless Festival, Toronto, 2007.

Harry, M. (2007) ''Eingestellt' for electric string trio and distortion effects, Anna Nova Gallery, St Petersburg, Russia.', UNSPECIFIED, St Petersburg.

Fitch, F. J. (2006) 'Agricologies.', Fretwork, South Bank Centre, London.

Harry, M. (2006) 'The enigma of arrival.', Northern Sinfonia, All Saints Church, Newcastle.

Harry M., (2005) 'Chamber Intimacy.', UNSPECIFIED, Warehouse, London.

Kanno, M (2005) 'Aaron Cassidy : 'The crutch of memory' for solo violin.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Harry M., (2005) 'Restraint.', UNSPECIFIED, 'Here and Now' programme, BBC Radio 3.

Wishart, T. (2005) 'Memories of Madrid.', Centro del Conde Duque, Madrid.

Harry M., (2005) 'George Meets Arnie For Tennis.', The New Music Players, Royal Scottish Academy of Music and Drama, Glasgow.

Wishart, T. (2004) 'Globalalia.', UNSPECIFIED, Inventionen Festival, Berlin , 6 June 2004; CCRMA, Stanford, 2006; Recombinant Media, San Franciso, 2006.

Kanno, M (2003) 'Andrew Glover : the 'death of angels' for violin and orchestra.', BBC, BBC Maida Vale Studios.

Wishart, T. (2002) 'Imago.', UNSPECIFIED, Festsaal der Hochschule fur Musik, Weimar, 6 June 2002; Redcat Theatre Downtown, Los Angeles, 2004; Musica Viva Festival, Lisbon, 2005; CCRMA, Stanford, California, 2006; Recombinant Media, San Francisco, 2006.

Kanno, M. (2001) 'James Wood : 'Autumn Voices' for violin and live electronics.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Manning, P. D. (2001) 'In Memoriam CPR.', N/A, BC SFU Concert Hall, 2001; Sonorities Festival, Belfast, 2001; Kitchener Festival, Ontario, 2001; Bourges 31st International Electroacoustic Music Festival, 2001; Music Without Walls Festival, Leicester, 2002; New Music Festival, Barcelona, 2005.

List was generated at Sun Dec 1 06:07:12 2024 GMT.